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Sandra Wagner-Wright’s Saxon Heroines is a three-part historical fiction work that transports readers to seventh century Northumbria, exploring the lives of several women and their important title roles in recorded history. Here she uncovers the powerful influence of queens over kings, their relationships with sons and daughters, the movement of Christianity across the region, and the significant role of abbesses and their religious holds throughout the land.

Whether Queen Ethelberga intent on converting her husband King Edwin to Christianity; her daughter, Enfleda, who must accept marriage to King Oswy; or granddaughter, Elfleda, who will be trained to become an abbess, following in the footsteps of Hildeburg, the king’s niece; such women, capable of negotiating a united church between royalty and religious leaders, prove decisive and dedicated contributors to a traditionally male-dominated society. Wagner-Wright gives each woman a voice in important matters.

In the audio version, Deepti Gupta’s mildly accented narration sets the stage for an ancient, medieval storyline capturing a particular time frame (624 – 706 AD). Her diction is well-suited to the material in a mixture of quiet tones and firm directives.

In a chronological format, events of the day are intricately detailed. Against a landscape where Anglo Saxon states attempt to assert dominance and gain power, listeners will absorb and visualize the likes of plans against the enemy, illustrious banquet halls, wedding celebrations, marital beds, the use of a birthing chair, baptisms, battles, and death.

While the narration informs us of character changes, and vocal inflections help distinguish the individuals, these can sometimes be a bit too subtle. Some listeners may be challenged with key character names, which are pretty similar. This often occurs within a family lineage, thus making it particularly hard to distinguish within the realm of a generational saga. Name pronunciation, itself, can also prove a tricky.

As chapters play out in a timely fashion, the title notations provide the year and the focal event happening within that time frame.

While listening time is nearly 8 hours (7 hours and 57 minutes), pausing throughout the narrative will help listeners absorb the information, allowing them a chance to recognize and place characters within the context of the story. Wagner-Wright’s final notes include facts about the characters and subsequent eighth-century events in Northumbria. An initial visual reference chart of names, places, and dates that a listener could access on their device would be of tremendous use.

Saxon Heroines audiobook will greatly appeal to those who enjoy the medieval history of the mid to late seventh century, including its religious conflicts, and particularly those interested in the role of critical female figures involved in the spreading of Christianity. While primarily research-based, Wagner-Wright aptly weaves human interest elements into the story and laces the narrative with descriptive characteristics that color and bring life to these inspiring heroines in history.

Sandra Wagner-Wright is an impressive historian who brings these forgotten women into the 21st-century limelight. For those who wish to read the book along with the audiobook, follow this link to our review of Saxon Heroines.

 

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