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2019 Best Book Grand Prize Blue and Gold BadgeJames Conroyd Martin brings to life one woman we should all know better in his multi-award-winning, epic novel, Fortune’s Child: A Novel of Empress Theodora. 

Like Cleopatra, Empress Theodora was a legend in her own time. And also, like Queen Cleopatra before her, Empress Theodora’s life and accomplishments were distorted and maligned by the male historians of her own time. Even after death, men who couldn’t bear or couldn’t believe that a woman, particularly a woman of the lower classes as Theodora was, could possibly have accomplished the things she did or wield the power she had.

Fortune’s Child, the first book of a projected duology, Theodora, near death, determines to leave behind an accurate chronicle of her life and work. She’s desperate to get a step ahead of the official biography already being written by a man who hates her, everything she came from, and everything she stands for.

What’s an empress to do? 

As Claudius does in Robert Graves’ landmark I, Claudius, Theodora intends to tell her own story before it is too late. A terrible cancer that will eventually claim her life significantly weakens Theodora. She lacks the strength to write the biography herself. So she commissions an old friend, the scribe, historian, and palace eunuch Stephen, to write it for her. 

After all, he was there for a great deal of it. So much of it, in fact, that Theodora placed him into prison to keep him quiet about it all and has now released him to have him set the record straight.

An empress in the making.

As Theodora tells Stephen details of her past, both before they met and after, the reader experiences her hardscrabble childhood. One comes to understand that before all else, Theodora was a survivor. 

Everything she did, every decision made, every hard path she took, points to a woman who wanted to survive. In the truest form of survival, Theodora wanted to make a better life for herself, and if possible, for the women who came after her.

James Conroyd Martin masterfully brings the 6th century Eastern Empire to life. From Africa to the Levant to the glittering gem of Constantinople, the reader sees the sprawling successor to the Roman Empire through the eyes of a woman whose story began at the bottom as an actress and a prostitute. Despite the humble background, the Empress determines to rise to the top by any – and every – means available to her.

Empress Theodora’s story will resonate with modern readers.

The determination to make a far better life for herself, based on her own gifts and on her own, Theodora’s proto-feminism makes her an easy character for contemporary readers to identify with as she rises to dizzying heights and unprecedented power. As she discovers loyal friends and makes desperate enemies on all sides.

The facts and figures of Martin’s masterpiece are not hidden. They are for all to uncover. Theodora’s life and accomplishments are not nearly well enough known. The adventure, the danger, the drama, and the glitter swallow readers whole into this recreation of a world that is long gone and an empress who should be better remembered.

Fortune’s Child is a brilliant historical biography rendered in full color, vibrantly animated by its author, James Conroyd Martin. Theodora’s life story is so significant, in fact, that it will take more than one volume to tell all there is to tell. And that is simply glorious. 

James Conroyd Martin won the Overall Grand Prize in the 2019 CIBA Awards, the Best Book of the Year, for Fortune’s Child: A Novel of Empress Theodora.  

 

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